Storytelling: The Obsoletes

I read Kafka’s ‘Metamorphosis’ and fell in love with the horrific absurdist novella. I love the intertwining of mundanity with magical, the experimenting with metaphor-the questioning of our own realities and perceptions of those realities. I always enjoy transformation stories, however fantastical on the outside, they work, I think. Whether it’s experiencing an existential crisis, a depressive meltdown, or that feeling of stagnation or detachment, there is something so effective about an insect allegory, painfully comparing ourselves to a cockroach or a fly or whatever. These small, gross insect suits which we step into and inhabit when our mind is having a hard time. I sketched out this insect boy and imagined a tale of my own:

Timelapse of concept sketch ‘Fly boy’

Music is Misery by Krüller

The Obsoletes

The boy is tired. Tired of the arbitrary components that jigsaw up his days. And the jigsaw is still so dull, too. It’s mostly negative space, but not in a purposeful way as to focus your eye on the important, colourful stuff. There was no composition. No clever tricks or colour or stuff. it’s as if so far all the pieces were anticipating the construction of something entirely dull, like say, a grey pavement. The dullest most greyest of pavements. Not even a hint of a ‘pavementy-peak-of-interest’; such as one of those albino style dog poos, all dry and brittle and white and right there in the middle of the pavement, glowing in it’s calcium-rich pride. Not even one of those. No two pieces united to reveal a scrawled obscenity, claiming a newly tarmacked oblong adorned with lime green spray can caps, lazy execution making it all the more offensive. It is….ugh, just grey. Life, he decides is one long slab of aggrieved grey.

The epiphanic episode exhausts him and he encourages a little nap during the office meeting. Under the spell of slumber he rises up at if in levitation, and, being a great rejector of supernatural claims, he peers down in awkward and hovering bewilderment, squinting through altered eyes to attempt some sort of rational explanation. Seeing and feeling a prickly black surface beneath his body, he notices that his hands are clenched tight to clumps of wire, is it wire? Both horrified and electrified by this unexpected tableau, he checks his lucidity, loudly articulating the sentence ‘Okay so now I am riding a giant fly’. And he is, he really is. The fly, as if intrinsically linked to the boy’s new commitment to the dream, (if this is a dream, he thinks he hopes it is one), changes gear. And they are off!. Intense vibrations surge through the boy, ending at his teeth, which he grits until they crumble. He realizes that he isn’t just riding this fly, he is part of it, the whole thing. Like a cheap action figure-the ones that are made in a single mould, once you chip away the paint job, which had created the illusion of ‘man on a horse’, underneath you see in fact it’s ‘man horse’ all one entity, all one lump of plastic. He doesn’t care though.. He isn’t plastic, or a man horse, but he isn’t absolutely sure what he is. I am….well….anatomically more insect he supposes……This is also the most ridiculous fantastic slab of his life pavement so far, and he doesn’t want to pick too hard at the details, because it’s what he tends to do, and it is an effective way to sabotage these fleeting moments of pavement life respite. This fly, ‘this thing’-has infiltrated the grey. He is more happy right now, anchored to this beastly fantasy, than the day in his earlier reality. Happier still than the time when they offered him this position and he thought everything mattered.

Gleefully, he kicks the side of the soaring spectre-subsequently kicking his own side, as you would after having your organic matter fused together with that of a giant fly…….A sort of ‘giddy up’. And the saucer-eyed steed darts forwards with incredible speed……so fast the boy feels sick, they land violently on a pen-chewing work colleague. The work colleague twiddles the pen, agitated. The boy vomits over the nib of the pen. Newly toothless mouth shining with saliva and stomach acid. He watches, impressed with how an appalling act like this exalts him. He is high. Higher than all the other times in the old human attempts. Overcome with purpose, fly boy sets his gaze on an indignant hole punch. Who still uses a hole punch anyway? Everything went paperless a million years ago……he smiles at how silly it all is, remembering that he still has a binder filled with empty slippery fish in the top drawer of his desk. It’s all so depressingly obsolete, I’m obsolete, he thinks. But how lucky I am to have no use for it, not then and not now in this state, now that I am fly boy. And, with less than a micro second’s hesitation, flyboy attacks an unsuspecting stapler. Fly boy was enjoying the absurdity of it all. I mean, from the outside , from the perspective of the pen chewers, he was just this persistent little critter. He was a tiny fly , sorry, fly boy, with a real hatred for office stationery. It was ludicrous when you put it like that. But it was also sort of true, in a ‘I’m not actually a fly boy’ way. That was the awful part that was bugging him………


Sphynx cat Smileys. Because.

Finally got working on the sphynx cats, ironing out some wrinkles. Still in the process of adding bits and pieces to the background-an alien skull filled with third eye mind goo seemed like a good starting point.

My ritual of spray can brush sketching is somewhat of a comfort thing for me. The softness of the lines means the underlying drawing is easy to smudge and manipulate. Sometimes I duplicate the sketch layer and paint over, but often these initial lines become part of it. They are my guide. I’ve adopted a habit now of doing a quick flurry of sketches and chucking in colour ideas, then I go back to a monochrome reworking; this is me putting in the ‘work’. I find it easier to focus on contrast and tone before complicating it with the more exciting stuff like colour and texture. I like to have the composition and general gist down first. I find it good practice too, really getting involved with the subject-even if that subject happens to be a hairless cat…….

In another life I was solely designing imagery for 90’s rave flyers. P.s. plastic dummies are tough to draw……I was constantly referring to reference pics, for some reason fathoming out folds of skin felt way more intuitive.

Cold Blood, Sweaty Palms

A quick concept sketch and poem beginnings on the theme of reptilian brain syndrome which appears to be taking over the world. Nice to focus on the monochrome and good practice-colour can often take an image somewhere else, I’m thinking eventually creating a little animation of the lizard crawling up through the palm, and transforming into flashing neons or something…..For now I want to get down the textures and the shapes and enjoy the contrast.

Sketched in Procreate using the default spray can brush (medium nozzle)

Weirdo music by me, recorded and mixed in GarageBand

Cold  thoughts geyser out

From our pores

Every pause

..........underscored with

Deregulated  ambition

To protect.

It is a

Thermostat combat

Hot mammal hearts

Beat silent, confined

To the rib cages of 

The armourless.

Shedding scales

Scaling lives

Hoping all our lizards

Can regrow their losses

Once the cold war cools off.

The Giantess Gerd

A piece of work I ACTUALLY finished is ‘The Giantess Gerd’. And as you can see from the progress stage pics, after some initial confusion about a can of worms verses a mushroom fascinator, I created this mythical portrait of a Norse goddess. I sketched her up and eventually executed the finished painting all within Procreate. It’s the program closest to a traditional hand drawing experience that I’ve discovered so far. As a huge fan of concept sketching, the Apple pen and iPad have become the absolute default for my process.

I’m chuffed with how she turned out and I have a few more goddesses up my sleeve.....I’ve used the image to design an album cover for some of my bizarre electronic soundscapes called ‘Goldi War Locks’.


And here is a full time lapse video! Seven minutes of utter waffle....I describe my thoughts and creative process for mythical portrait painting of The Giantess Gerd, whilst attempting to tell the story of entirely pre-#metoo style antics on display from God Freyr, as he woos from afar via golden apples and a big shiny ring. This was a lot of fun to put together!

Painted in Procreate and edited using Motionleap and InShot.

Narration and sound by me.